If the blacks aren’t strong, and the whites aren’t crisp, the images suffer.” 6. Kepner would say, ‘Expose for the shadows, and make sure your colors are crisp.’ I see a lot of black and white photographs with murky in-between tones. “Back then, we only had film, and I spent most of my teenage years in the school darkroom. “Everything I learned about making a beautiful black and white photograph I learned from my high school photography teacher, Mr. Settings: Exposure 1/800 sec f2.5 ISO 250. To accentuate specific parts of the picture, I also find it useful to work with the ‘dodge and burn’ technique in Photoshop.” 5. “When I edit RAW files in Photoshop, I can increase contrast and make parts of the picture darker without seeing any banding. “Whenever possible, I shoot in RAW so that I have full control over the contrast in my photos,” Noa Mar explains. Gear: Fujifilm X-T20 camera, Fujinon 18-55mm D lens. Any photo editor, like Capture One or Lightroom, warns you about high levels of black and white, so keep an eye out during the editing process.” 4. “It’s all about controlled levels of gray. “The biggest mistake you can make is thinking that in a black and white photo, there should only be blacks and whites,” Iulia Pironea says. Gear: Canon 5D Mark III camera, 50mm f/1.4 USM lens. ![]() If the original picture is already good, then it can be enhanced with only a few adjustments in post-processing.” 3. “A professional black and white picture should maintain a wide range of grays. “Adding heavy contrast can cause a loss of detail,” Luciano De Polo explains. Too much contrast can be just as destructive as not enough. Using the clarity slider can also add mid tone contrast and bring out the textures in the image.” 2. A good start, however, is to create a custom ‘S’ curve to add more contrast, trying to deepen the shadows and brighten the lighter parts of the image. “There is no magical editing rule, and everything depends on the image. Simply converting a color image to greyscale will most likely produce a dull, flat result, so you need to edit your image specifically for black and white. “Black and white is all about light, shadows, and the contrast between them. “The most common mistake I see in black and white photography is the lack of contrast,” Lisa Tichané says. ![]() Gear: Canon EOS 5D Mark III camera, Canon 35mm f/1.4 L lens. Below, they tell us the most common mistakes photographers make when it comes to black and white editing, and they also share their best tricks for avoiding them. We asked a group of talented artists about how they create timeless monochrome images using Photoshop, Lightroom, and similar editing apps. Whether you’re using a mobile phone or a 35mm film camera, it all comes down to luscious blacks, clean whites, and gorgeous grays. And as any black and white photographer will tell you, the elements of an unforgettable image haven’t changed at all. We live in a digital world, but black and white remains ever-present on Instagram under popular hashtags like #blackandwhiteisworththefight and #blackandwhiteonly. Though he now shoots digital, he frequently turns to legendary film photographers like Richard Avedon, Herb Ritts, and David Bailey for inspiration. That experience taught him the basics of black and white editing, and he continues to use those tools today. Offset Artist Andrew Lever got his start in the darkroom, where he printed his own photographs. What are the secrets behind editing black and white photography? Try these twelve simple tips and make your monochrome edits breathtaking.
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